Janine Antoni Chocolate

Invaluable is the world's largest marketplace for art, antiques, and collectibles. 6 × 33 cm) Base: 45 × 13 in. Janine Antoni's object- and performance-based works draw from multiple influences including feminism and conceptualism, and in these works the artist has fashioned an investigation of the self through the examination of the mother/child dyad, creating a. Janine Antoni Makes sculptures boiling down desire and memory into dense objects. The waste material of Antoni’s Gnaw series was sculpted into another series of works, Lick and Lather, two female busts which could be seen. I used my research of the artist Janine Antoni as an influence in creating a fragment of the body, after finding her life-size chocolate head sculptures (1993). And having posted about artists working with their own body the last couple of days, today I’m all about an artist who uses her body not as the source of the image but as the tool to make the work. Janine Antoni (b. Janine antoni chocolate sculpture price, the late artists turned to record heart of chocolate and sleeping in filter by antoni is as concrete statue moulds sculpture is currently on a installation for her lecture at luhring augustine no friend of the artist undertook the chocolate and white chocolate bust of chocolate busts. All photos courtesy of Luhring Augustine. Janine Antoni nibbled on 600-pound cubes of chocolate and lard. Antoni as an artist uses pieces of her in her work, so often times her identity is tied up in more ways then one in her work. Janine Antoni. Mar 19, 2018 - Explore dglhan's board "Detail" on Pinterest. Meret Oppenheim's Spring Feast (1935) and the work of many of the Pop artists of the 1960s. Read some excerpts from Janine Antoni’s statement on Gnaw: “I was interested in everyday activities like eating, so when I was conceiving this project I decided chocolate would be the most obvious choice for what I would eat. Janine Antoni (born January 19, 1964, in Freeport, Bahamas) is a contemporary artist, who creates work in performance art, sculpture, and photography. Photographed by: Pak Han at the Halprin Dance Deck. in a splashy tour de force presentation, Matrix really goes beyond the pail as noted performance artist Janine Antoni uses her long hair, soaked in a scrub bucket filled with. In the performance work Gnaw of 1992 (pictured), the artist explored both visually and theatrically,. Baby Bear as Mascotz. 6 x 33 cm (24 x 16 x 13 inches) Each pedestal: 116. Janine Antoni The artist Janine Antoni uses every part of her body in her work. As early as 1992, one could call her work performance art, but she presented it as sculpture. Her choice of modern materials like chocolate and soap combined with her process of erasure raise questions about the “self” and impermanence. Artist Janine Antoni's "Lick and Lather" sculpture features a chocolate bust of the artist (as well as one of soap); photo courtesy Flickr user KellyTheDeluded. "Lick and Lather" by Janine Antoni. The shape of the masks came from Janine Antoni’s “Lick and Lather” set of chocolate and soap busts. Lick and Lather by Janine Antoni 1993-1994 chocolate and soap Head I: 24 × 13 in. Amidst the '90s "body-art-craze," Janine Antoni gnawed away at a 600-pound block of chocolate over the course of a month to create a jagged cube, infusing Minimalism with pathological desire and social issues such as anorexia. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping. (Reviews: Santa Fe) A holly leaf made of shellacked dough hung just in front of her, Inquiry launched over rat-tainted chocolate. Janine Antoni está considerada como una de las «chicas malas» del arte del siglo XXI. Marc Quinn's self-portrait is a refrigerated cast head made with eight pints of his own blood - Self (1991). 02 cm) Photographed by John Bessler Janine Antoni, in person at BU 0. Antoni explores the daily rituals we perform on our bodies. 14, Asian Art Museum, San Francisco. of lard (before licking and biting) Janine Antoni, Lipsticks and Candy Box, 1992. By MATTHEW NASH. Some lucky folks, myself included, are even asked to stand up so a work can be removed from the crate on which they sit. ” Miming a fearless Ariadne whose brave crossings double as a hero’s journey, Antoni, dressed in sky blue, performs in front of her childhood home in. Few people spend days gnawing on a 600-pound block of chocolate, allow spiders to construct webs between their legs or submerge themselves in baths of lard. Caroline A. "Gnaw" consists of two 600-pound cubes,. The second category includes works that appear unfinished—open-ended, unresolved, imperfect—at the volition of the artist, such as Janine Antoni’s Lick and Lather (1993–1994). was one of the most acclaimed works. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body. Janine Antoni Moor, 2001 Installation materials used in this section of the rope are: Dad's coconut husks, Joe's blue pants, Rosary beads found with Doug, Doug's grandmother's dish towel, Elizabeth's grandmother's blue and white striped apron, Mom's fall and hairnet, Grandmother Gugu's slip, Red velour Christmas dress worn by Granny Miana. As part of her process, she licked the chocolate bust to represent stereotypical menstrual cravings and used the soap in the shower to represent the social expectation that women be perfectly. Fudge MountainRocky Mountain Chocolate Factory, 1419 First Ave, 262-9581. This approach draws particular attention to issues arising from the colonial legacy that are relevant to Latin America as a whole, but which emerge as central to the work of 21st-century Caribbean artists, including Janine Antoni (Bahamas), Humberto Diáz (Cuba), Jorge Pineda (Dominican Republic), and Allora & Calzadilla (Puerto Rico). She modeled them on classical busts and sculpted them by licking and lathering. Ken Friedman, 1966. Typically, the physical object remains as evidence or residue of the performative act of making, as in Gnaw (1992), Lick and Lather (1993), Eureka. SC is temporarily closed. All Antoni's main projects have been performed in front of an audience. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. 1964, Freeport, Bahamas) received her BA in 1986 from Sarah Lawrence College in New York before earning her MFA from the Rhode Island School of Design in 1989. ) For each cup of hot chocolate, stir together: 1/4 cup chocolate concentrate and 1/4 cup of milk, cream, half and half, or water. Jones LECTURE NOTES Week 11: PROCESS, FEMINISM, IDENTITYEND OF THE MAINSTREAM? Lecture 21 – Women Buck the Canon key decade: 1970s. Contemporary artist Janine Antoni created the original sculptures in 1993 from molds of her own head. Janine Antoni. 6 A 600-pound block of chocolate could be an artwork while This work is Gnaw, by Janine Antoni. Antoni's earlier work hits hard on obsessiveness, consumerism and beauty culture. See more ideas about Female artists, Artist, Art jewelry contemporary. (We humbly suggest the next one be called "Two Doves. These by-products became "Lipstick/Phenylethylamine. Easily share your publications and get them in front of Issuu’s. New York based artist, Janine Antoni has used chocolate as a medium in a number of works. click image. Janine Antoni is a contemporary artist working in performance art, sculpture and photography. Artist Janine Antoni "carved" chocolate with her teeth and then spit it out. Being familiar with her before the talk, it was interesting to hear the full explanation of her pieces. ii Acknowledgments I would like to thank my family, my partner, and all our animals for their love, for helping me get through these past three years, and for being so understanding in those times I had to focus on. I think these two paintings are some of the favourite’s from what i’ve seen. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body. 2005 “Ready or Not Here I Come,” Institute of International Visual Arts, London, England. WOOD CARVING is a subtractive sculpture process and is common both in sculpture (3-D forms) as well as in relief work. In her Raid the Icebox Now installation, Simone Leigh places modern and contemporary works by Janine Antoni, Huma Bhabha, David Hammons, and Nancy Elizabeth Prophet in the RISD Museum’s ancient Greek, Roman, and Egyptian galleries. We associate chocolate with celebration, comfort, romance. In Paper Dance, Antoni is surrounded by crates containing her past works, including sculptures, such as her 1993 work in chocolate and soap, Lick and Lather, and photographic works, like Mom and Dad (1994). museumsandstuff: Five Edible (More or Less) Works in the Collection of the MOMA. SELECTED SOLO EXHIBITIONS 2006 “Lore and Other Convergences,” (performance with Melissa Martin), Live Art Development Agency initiative, inIVA, London. Photo: Xandra Ibarra, Nude Laughing, performance at The Broad, Los Angeles, 2016. These objects are accompanied by Leigh’s own art: a new ceramic female portrait sculpture and a new sound work. Over the past thirty-seven years we have conserved or restored many modern and contemporary sculptures for private collectors, galleries and museums. Janine Antoni: Chocolate Gnaw This chocolate sculpture was made by the artist using her teeth to gnaw (explicit in the title). Antoni explores the daily rituals we perform on our bodies. She is often described as a ballet phenom, having taken her first class at the age of 13, an advanced age to begin training in this traditional art form, and within three months was dancing en pointe. Her performance and installation pieces have used “feminine” mediums, such as lard, hair dye, and chocolate, as metaphors to explore female sexuality. Janine Antoni’s Lick and Lather (1993) an installation of 14 chocolate and soap self-portrait busts by Janine Antoni that made its debut at the 1993 Venice Biennale. Chocolate and soap, 21 3/4 in. The history of self-portraits is long and varied. Janine Antoni Gnaw (Reconstituted Lard and Chocolate)* (1992). Visual Texture – The depiction of an object to give the illusion of physical texture. com/wp-content/uploads/2011/08/POP-Magazine_AW2011_MARINA_ABRAMOVIC_RENE_HABERMACHER. Janine Antoni was born in the Bahamas in 1964. For instance: construct a wearable sculpture (inspired by Nick Cave) or stamp with your body (inspired by Janine Antoni). Women Artists in the 20th and 21st Century. of lard, gnawed by the artist (24 X 24 X 24 inches); 45 heart‐shaped packages for chocolate made from chewed chocolate removed. She degraded the surface of the former by lathering it, and disfigured the features of the latter by licking it with her tongue, a tool not readily available at the art supply store. Zamula my work, she suggested I look into Janine Antoni, specifically her two pieces named “Lick and Lather,” self-portraits, or more appropriatly self-sculptures fashioned from Chocolate (Lick) and Soap (Lather). Are some of the body actions she turns into sculptural processes to create work. Gnaw, Janine Antoni, 600 lbs chocolate and lard, 1992. Meret Oppenheim's Spring Feast (1935) and the work of many of the Pop artists of the 1960s. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Janine Antoni (1964- Janine was born in Freeport, Bahamas and resides in New York. of object, man, nature, etc. Clarksville, TN – The Austin Peay State University Department of Art and Design, with support from the APSU Center of Excellence for the Creative Arts, will host a lecture by internationally …. Janine Antoni Portrait busts of the arEst molded with chocolate and soap Features erased by process of licking and washing Janine Antoni, Lick and Lather, 1993 Brooklyn Museum 30. 1 of 3 Rope Dance, 2015. Spirits on the Crossing: Travellers to/from Nowhere-Contemporary Art in Canada 1980-94, Setagaya Art Museum, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art, Sapporo. ii Acknowledgments I would like to thank my family, my partner, and all our animals for their love, for helping me get through these past three years, and for being so understanding in those times I had to focus on. Wednesday, November 28th, 7 PM UICA Members Free | Non-Members $5 Don’t miss this opportunity to hear contemporary artist Janine Antoni speak at the UICA! The Visual Arts Guild will be attending, if you would like to join/carpool please email ([email protected] Janine Antoni, Bahamian, b. Janine Antoni: An Artist I Would Work for. In 1992 Janine conceived Gnaw. Maria Porges on Janine Antoni's Lick and Lather Related Image: Janine Antoni, Lick and Lather, 1993-1994; chocolate and soap; Collection SFMOMA, Collection of. Seven licked chocolate self-portrait busts and seven washed soap self-portrait busts on fourteen pedestals. Janine artist. Since the 1990s, Janine Antoni has played a prolific role in performance and installation art. of object, man, nature, etc. Collection of Jill and Peter Kraus. The chocolate busts have lost their sensuality, as I fixate on the invisible layer of disgusting saliva that coats. See more ideas about Performance art, Feminist art, Female artists. Working with the choreographer Stephen Petronio and Anna Halprin, the 95-year-old Postmodern dance performer who helped pioneer the genre in. SC is temporarily closed. Antoni’s work blurs the distinction between performance art and sculpture. For Janine Antoni's 'Lick and Lather', her chocolate and soap sculptures will literally decay over time. Over the past thirty-seven years we have conserved or restored many modern and contemporary sculptures for private collectors, galleries and museums. She carved Gnaw not in marble but in chocolate and lard—and not with a chisel but with her teeth. The objects Orozco has worked with include ping-pong tables and a Citroen, while Antoni works with such things as soap, chocolate and her own body. Seven licked chocolate self-portrait busts and seven washed soap self-portrait busts on fourteen pedestals. In their final form, elevated on marble pedestals, the two blocks are visibly diminished. COVID-19 Update: Read about Moore’s current plans for the fall 2020 semester and summer academic programs. Janine Antoni, Loving Care (perfonnance art), 1992. For example, in her work Gnaw (1992) Antoni uses her mouth and the activity of eating or chewing to carve two 600 lb. In 1992 Janine conceived Gnaw. For the playful "Lick and Lather" (1993-94), a pair of flawed side-by-side busts in her own image, Janine Antoni used soap for one and chocolate for the other. Transforming everyday activities such as eating, bathing, and sleeping into art, Antoni’s primary tool has always been her own body. Antoni: In each of my pieces, I use my body to show how our physical processes interact with our world. Chocolate (600 lb before biting), gnawed by the artist. Good luck clearing up after that one. Born 1964 in Freeport/Bahamas, lives and works in New York Galleries: Luhring Augustine, New York Janine Antoni has long been recognized as among the preeminent artists of her generation, ever since her iconic sculptures of the early 1990s—such as Gnaw, 1992, for which she used her teeth as a chisel. Zamula my work, she suggested I look into Janine Antoni, specifically her two pieces named “Lick and Lather,” self-portraits, or more appropriatly self-sculptures fashioned from Chocolate (Lick) and Soap (Lather). What do lard, soap, chocolate and maple trees have in common? Artist Janine Antoni has sculpted, molded and even licked each of them into works of art. View Lick & Lather (1993) By Janine Antoni; chocolate and soap busts; busts: 24 x 15 x 13ins. Janine Antoni I connected with Janine Antoni’s “Moor” the most out of all of her installations in the video. See more ideas about Artist, Female artists, Performance art. A conceptual artist who's been a MacArthur and Guggenheim fellow, Antoni has dipped herself in a tub of lard, painted a floor with her hair, used mouthfuls of chocolate to mold "lipsticks" and. Interpretations and variations by Janine Antoni, foreground, and Stephen Petronio. Antoni has a feminist* concern for cultural perceptions of sexuality, which she expresses in performance* art-making processes. See more ideas about Artist, How to make rope, Contemporary art artists. • Your Name e. The Master of Fine Arts (MFA) in Creative Writing & Poetics at the University of Washington Bothell (UW Bothell) is dedicated to helping each student develop their creative work through a course of study that encourages exploration and discovery. Instead of focusing purely on how the art object looks, her approach is more likely to draw the viewer into an engagement through touch, smell, taste, or sound and into the process of how the work comes to be. 1 of 3 Rope Dance, 2015. cube of chocolate, th e other of lard. Janine Antoni, uses his own body as subject and object of their works. Janine Antoni In her works, which may be seen as in-depth explorations of the mechanisms of self-construction or self-reconstruction, she is particularly interested in psychological and physiological manifestations, in neurotic obsessions with cleanliness, in the excesses of romantic fixations and in sleeping and eating disorders. Commissioned by The Fabric Workshop and Museum. Janine Antoni b. Janine Antoni’s work revolves around performance as a connection to process. Jethro Brice’s work interests me in his engagement in the environment that surrounds us and almost his obsessive concern in making work from sustainable materials that have been recycled from the world around him. Then she licked the chocolate bust down until its features became indistinct, and took the soap bust into the shower with her, letting water slowly erode its features. Antoni Rhyming, similar names and popularity. Material chocolate and marble base. of chocolate and 600 lbs of lard gnawed by the artist 45 heart-shaped packages for chocolate made from chewed chocolate removed from the chocolate cube and 400 lipsticks made with pigment, beeswax and chewed lard removed from the lard cube Janine Antoni transformed the act of eating into an artistic process. This includes (but is not limited to) women, people of color, folks over 50, LGBT, working parents, disabled, etc. Image courtesy Luhring Augustine. Janine Antoni: Chocolate Gnaw This chocolate sculpture was made by the artist using her teeth to gnaw (explicit in the title). Wednesday, November 28th, 7 PM UICA Members Free | Non-Members $5 Don’t miss this opportunity to hear contemporary artist Janine Antoni speak at the UICA! The Visual Arts Guild will be attending, if you would like to join/carpool please email ([email protected] So it’s appropriate that Janine Antoni, a virtuoso of public displays of anxiety, learned to walk the high wire for a video commissioned by SITE Santa Fe for her career survey, “taught tether teeter. Invaluable is the world's largest marketplace for art, antiques, and collectibles. Each cast was identical until the artist undertook the task of licking the chocolate busts and bathing with the soap busts, hence the playful title, Lick and Lather. March 2, 2015 mirandadelrey chocolate, dc, Hirshhorn, Hirshhorn Museum, Janine Antoni, meet the artist, sculpture, soap Leave a comment Awhile back, earlier this February, my friend Liz and I went to the Hirshhorn Museum for the Meet the Artist lecture with Janine Antoni. Unauthorized use is prohibited. Since the 1990s, Janine Antoni has played a prolific role in performance and installation art. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. Her choice of modern materials like chocolate and soap combined with her process of erasure raise questions about the “self” and impermanence. Antoni’s Gnaw (1992), is an example of the artist using her body as a tool for sculpture. This piece, Gnaw , is the result of months spent chiseling away at a 600lb cube of chocolate and a 600lb cube of lard with her own mouth. Choreographer Stephen Petronio greeted his guests and introduced his dancers who appeared in an excerpt of his newest work "LIKE LAZARUS DID", part of an evening length work with artist Janine Antoni and composer SON LUX with yMUSIC and the Young People's Chorus of New York. which Janine managed the administrative details of a thriving career and continued to challenge herself as an artist. Using her body as the tool to make the sculpture is a concept. Janine Antoni; Chocolate gnaw, 1992; 35. Mobile Video Installation On view on the LED billboard boat that travels across the waterways of Miami Beach. This approach draws particular attention to issues arising from the colonial legacy that are relevant to Latin America as a whole, but which emerge as central to the work of 21st-century Caribbean artists, including Janine Antoni (Bahamas), Humberto Diáz (Cuba), Jorge Pineda (Dominican Republic), and Allora & Calzadilla (Puerto Rico). Scher, Candy Ass, Marilyn Minter, Janine Antoni, Kathe Burkhart Untitled, 1995 2 boxes (Box 1, Box 2) each with 6 artist-designed candies each box- 8h x 8w x 2d in VA001. Janine Antoni. Her body is both her tool for making and the source from which her meaning arises. on Wednesday, April 14, in the Fine Arts Center Recital Hall at Arkansas State University. 1964) Antoni, J. Artist Janine Antoni's "Lick and Lather" sculpture features a chocolate bust of the artist (as well as one of soap); photo courtesy Flickr user KellyTheDeluded. Holy SHIT! Janine Antoni! shamelessly lifted from Art 21 Janine Antoni was born in Freeport, Bahamas, in 1964. They discuss the work of Janine Antoni and then create a performance piece that reflects social or global issues they feel strongly about. Janine Antoni—Season 2 (2003) Episode: “Loss & Desire” “ Janine Antoni was born in Freeport, Bahamas in 1964. University of St Andrews Art History Society. She then re-shaped her image by licking the chocolate and washing the soap. Each cast was identical until the artist undertook the task of licking the chocolate busts and bathing with the soap busts, hence the playful title, Lick and Lather. Lather a soap bust of yourself. Photo credit: moonlightbulb. Her body is both her tool for making and the source from which her meaning arises. Upon showing my teacher, Ms. of chocolate gnawed by the artist (24 x 24 x 24 inches); 600 lbs. March 2, 2015 mirandadelrey chocolate, dc, Hirshhorn, Hirshhorn Museum, Janine Antoni, meet the artist, sculpture, soap Leave a comment Awhile back, earlier this February, my friend Liz and I went to the Hirshhorn Museum for the Meet the Artist lecture with Janine Antoni. Body as a tool used to obtained knowledge Painting with hair- body as a tool Picture of artist in tub with cow. Janine Antoni Touch Video installation, 9 min 37 sec, loop. Sadly, I couldn't remember the name of the artist after all these years. Janine Antoni Moor, 2001 Installation materials used in this section of the rope are: Dad's coconut husks, Joe's blue pants, Rosary beads found with Doug, Doug's grandmother's dish towel, Elizabeth's grandmother's blue and white striped apron, Mom's fall and hairnet, Grandmother Gugu's slip, Red velour Christmas dress worn by Granny Miana. VISUAL ARTS:THE SCOTTISH ARTIST, Anya Gallaccio, provides the star turn in the visual arts strand of this year's Kinsale Arts Festival. Aug 1, 2013 - This Pin was discovered by Signor G. In the early 1990s, she began to perform mundane rituals—eating, sleeping, and washing—and transformed them into sculptures, centering attention on creative processes. Antoni has not left a trace of herself anywhere in the gallery. Feb 1, 2016 - Explore Somniis's board "Janine Antoni" on Pinterest. Fudge MountainRocky Mountain Chocolate Factory, 1419 First Ave, 262-9581. click image. , as well as intimate castings such as Janine Antoni’sUmbilical (2000). Janine Antoni Date posted: October 31, 2003 Back to the exhibition Janine Antoni was born in the Bahamas in 1964 and now lives in New York. González-Torres’s pile of interactive candy and Janine Antoni’s “Lick and Lather” (molds of the artist’s head—one chocolate, the other soap—that The Important Role of Art Museums on College Campuses - The Atlantic. 02 cm each) Date Acquired 2007 Credit Collection SFMOMA. Janine Antoni, Lick and Lather (1993) This iteration of Lick and Lather, the only extant set of 14 busts, was first shown at the 1993 Venice Biennale, and later that year at the Sandra Gehring Gallery in New York. Janine Antoni Hearing Janine Antoni speak about her work was an amazing experience. If you see someone you know, wink. 3a), which features large, 600 pound cubes of. Antoni has a feminist* concern for cultural perceptions of sexuality, which she expresses in performance* art-making processes. This helped me see how life-like the sculpture needed to be and introduced me to the process of creating a mould. , as well as intimate castings such as Janine Antoni’sUmbilical (2000). She uses her body as a tool to create art. Janine antoni chocolate sculpture price, the late artists turned to record heart of chocolate and sleeping in filter by antoni is as concrete statue moulds sculpture is currently on a installation for her lecture at luhring augustine no friend of the artist undertook the chocolate and white chocolate bust of chocolate busts. Feb 1, 2016 - Explore Somniis's board "Janine Antoni" on Pinterest. Antoni made the molds “directly” from her “body. Art images copyright© of. Es de 1992 y podeis ver su trailer AQUÍ. Janine Antoni, Loving Care, 1993, performance at Anthony D'Offay Gallery, London (but also done in Hartford, elsewhere) Antoni, Gnaw sculptures: Chocolate Gnaw, Lard Gnaw, 1992 (600 lbs. Loving Care (1992-1996) Gnaw (1992) Lick and Lather (1993) I had the idea that I would make a replica of myself in chocolate and in soap, and I. Artist Janine Antoni's "Lick and Lather" sculpture features a chocolate bust of the artist (as well as one of soap); photo courtesy Flickr user KellyTheDeluded. In her work Gnaw (1992) Antoni uses her mouth and the activity of eating or chewing to carve two 600 lb (300 kg) cubes, one made of chocolate, the other of lard, and then used the chewed out bits to create chocolate boxes and lipstick tubes, which she then displayed in a mock store front. The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. Mar 19, 2018 - Explore dglhan's board "Detail" on Pinterest. She took weeks to gnaw away at these cubes, biting, chewing. She is known for her unusual processes. Zamula my work, she suggested I look into Janine Antoni, specifically her two pieces named “Lick and Lather,” self-portraits, or more appropriatly self-sculptures fashioned from Chocolate (Lick) and Soap (Lather). She then proceeded to lick and nibble the seven chocolate busts and bathe herself with the seven soap busts, rubbing the faces off. ARTISTS ARE WEIRD. See what Roxanne (RW1971) has discovered on Pinterest, the world's biggest collection of ideas. Although the two pieces address different topics, they coul be perceived as following the same metaphorical discourse, with Ai’s work retrospectively expanding on the interpretation of Antoni’s. For the 1995 photograph Momme, she hid under her mother’s dress, her own adult body bulging like a pregnant belly. Bust: 24 x 16 x 13 inches (60. Base: 45 × 13 in. jpg Janine Antoni Lick and Lather, 1993 Complete set of fourteen busts: seven chocolate and seven soap on fourteen pedestals Each bust (approximately): 61 x 40. Courtesy the artist and Luhring Augustine www. Artist Janine Antoni's "Lick and Lather" sculpture features a chocolate bust of the artist (as well as one of soap); photo courtesy Flickr user KellyTheDeluded That may be his fantasy project, but in reality he spends his waking hours trying to make the most perfect-tasting chocolate possible, for people to eat and enjoy. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. Janine Antoni: Lick and Lather In 1993, Antoni created a set of 14 self-portraits in the form of busts. Janine Antoni; Chocolate gnaw, 1992; 35. In "Swoon," her latest installation at Capp Street Project, visitors are greeted. Here, Antoni uses chocolate and soap to make self-portrait busts. The goal of licking and washing. Spirits on the Crossing: Travellers to/from Nowhere-Contemporary Art in Canada 1980-94, Setagaya Art Museum, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art, Sapporo. Ally: Janine Antoni, Anna Halprin, and Stephen Petronio Navigate Gap between Art and Dance in Major Exhibition at The Fabric Workshop and Museum Philadelphia, PA – On Thursday, April 21, 2016, The Fabric Workshop and Museum (FWM) premieres Ally , an exhibition of art and dance conceived and performed by artist Janine Antoni in collaboration. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body. In Janine Antoni’s piece Lick and Lather, the soap and the chocolate are used as mediums for busts of Antoni’s face. Antoni uses her mouth and the activity of eating or chewing to carve cubes, one…. Check out what’s going on on and around campus this week. These two busts, constructed in a classical style, represent the self portrait of Janine Antoni. Antoni's classic piece in this genre, "Gnaw" (1992), entailed performances in which she would chew away a gargantuan block of chocolate to reveal a (pre-prepared) statue of herself or, in corresponding fashion, model herself out of soap. 2013 - #ART | artist i like | Janine Antoni Lick & (Lather, 1993 Seven soap and seven chocolate self-portrait busts, Photographed by Lee Stalsworth at the Hirshhorn Museum at Sculpture Garden, Washington, D. Janine Antoni (1964- Janine was born in Freeport, Bahamas and resides in New York. In two visceral shows on opposite coasts, Janine Antoni MFA 89 SC has been inviting viewers to investigate their connections to their own bodies. Easily share your publications and get them in front of Issuu’s. She is known for transforming materials like chocolate, soap, limestone, cowhide, and clay by using unusual art-making processes such as eating, bathing, grinding, mopping, and sleeping. Upon showing my teacher, Ms. Referencing some of the background information you’ve learned about one of these artists (or from further research you do; click the bold links), reflect on how the artist represents or expresses the concept of identity in one of these specific works: Lick and Lather (cast chocolate and soap) by Janine Antoni 1993, a recent self portrait by Chuck Close (see him on the Colbert Report here. Janine Antoni. Choreographer Stephen Petronio greeted his guests and introduced his dancers who appeared in an excerpt of his newest work "LIKE LAZARUS DID", part of an evening length work with artist Janine Antoni and composer SON LUX with yMUSIC and the Young People's Chorus of New York. Janine Antoni. Referencing some of the background information you’ve learned about one of these artists (or from further research you do; click the bold links), reflect on how the artist represents or expresses the concept of identity in one of these specific works: Lick and Lather (cast chocolate and soap) by Janine Antoni 1993, a recent self portrait by Chuck Close (see him on the Colbert Report here. edu/coronavirus for the latest news and our FAQ. All rights reserved. Janine Antoni está considerada como una de las «chicas malas» del arte del siglo XXI. She is known for her unusual processes. Head II: 16 × 13 in. Born and raised in the Bahamas, Antoni sets aside traditional tools and mediums to build out-of-the-ordinary exhibitions. Janine Antoni, a contemporary artist, created this self-portrait sculpture completely out of chocolate and soap! She wanted to talk about how we constantly want to satisfy our desires. 64 cm) (each) Installation dimensions: variable. Lick and Lather (Selbstporträt), Ausschnitt, 1993, Schokolade, New York; Virtuelle Diathek, Universität Hamburg, Kunstgeschichtliches Seminar Page 221 of 506. These two busts, constructed in a classical style, represent the self portrait of Janine Antoni. The 66 Best Things To Do in Seattle This Week: April 16-22, 2018 Visual Legacies of the Black Panther Party, Cochon555, Emergence, and More Arts & Culture Critics' Picks. Antoni’s method of using herself as a direct model for the mould was applied to the procedure of creating the masks, and Kiki Smith’s use of modroc in “Stories” incited the exploration of this material in my practice. Punctuality pays off at Janine Antoni’s “Paper Dance. More on this power dynamic later on. Janine Antoni Janine Antoni Janine Antoni. At the Hirshhorn Museum and Sculpture Garden. Janine Antoni, Gnaw (detail), 1992, phenylthylamine: chocolate, lipstick, lard, pigment, wax. The second category includes works that appear unfinished—open-ended, unresolved, imperfect—at the volition of the artist, such as Janine Antoni’s Lick and Lather (1993–1994). The chocolate busts have lost their sensuality, as I fixate on the invisible layer of disgusting saliva that coats. “Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-’80s artworld ambition…By setting up situations that force her lithe body into contact with malleable materials and spaces, she establishes tongue, eyelashes, and hair as evocative replacements for chisels, pencils, and brushes. Aug 1, 2013 - This Pin was discovered by Signor G. Ghost in the Shell (1995) Ghost in the Shell is a Japanese media franchise originally published as a seine (‘youth’) manga series of the same name written and illustrated by Masamune Shirow. Referencing some of the background information you’ve learned about one of these artists (or from further research you do; click the bold links), reflect on how the artist represents or expresses the concept of identity in one of these specific works: Lick and Lather (cast chocolate and soap) by Janine Antoni 1993, a recent self portrait by Chuck Close (see him on the Colbert Report here. The Smithsonian Portrait Gallery removed a video piece, A Fire in My Belly by David Wojnarowicz, from the exhibition Hide/ Seek after the Catholic League and members of Congress complained the work was anti-Christian. Antoni’s Gnaw (1992), is an example of the artist using her body as a tool for sculpture. Thus Antoni has a compelling, almost passionate, affair with the matter of her art. But do we ever associate it with the farmers – and often children – who literally make the product possible? West Africa produces almost three quarters of the world’s cocoa, 70% of which is consumed in Europe and North America. name = Janine Antoni imagesize = caption = birthname = birthdate = 1964 location = Freeport, Bahamas deathdate = deathplace = nationality = field = Sculpture, Installation Art training = movement = works = patrons = influenced by = influenced =. Pop Surrealist. (14 x 18 x 18 in. Tumblr is a place to express yourself, discover yourself, and bond over the stuff you love. I am very influenced by Janine Antoni by her use of autobiography, specifically in the ways that she creates her “self” and then breaks that down, either through a process of wearing away (as in her chocolate and soap busts) or by making connections to others (as in her rope piece). Antoni used a mold to create a series of self-portrait busts, half from chocolate and half from soap, fragile materials that tend to age quickly. Janine Antoni’s 1993 piece Lick and Lather saw the artist create 14 identical self portrait busts, half from chocolate and half from soap. Throw the lemons. From the MOMA Inside/Out blog. Janine Antoni. For example, the soap and chocolate molds were about the process of cleaning oneself with oneself and feeding oneself with oneself, not about the visual elements of the. She was thus symbolically washing herself with herself and licking herself. " Janine Antoni: It's great to be here. Janine Antoni’s work blurs the distinction between performance art and sculpture. DESCRIPTION. She named the installment Gnaw and is on display at the Staachi Gallery in London. Because it was crucial for me, my meeting with Janine Antoni and our coexistence at the renovated at that time exhibition space “Nikos Kessanlis” of the Athens School of Fine Arts, during the exhibition “Everything That’s Interesting Is New” (20/1-20/4/1996) with artworks by Dakis Joannou Collection. 3) Ed Rusha’s Chocolate Room. The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. Antoni’s work blurs the distinction between performance art and sculpture. Es de 1992 y podeis ver su trailer AQUÍ. Contemporary artist Janine Antoni created the original sculptures in 1993 from molds of her own head. I have in mind Duchamp’s Chocolate Grinder (No. Janine Antoni • Title in italics Lick and Lather • Date - do not include month or day, just the year 1993 • Material(s) chocolate, soap • Size - height x width x depth 24" x 16" x 13" (this is a museum standard HWD) use " for inches and ' for feet. Philadelphia, PA – On Thursday, April 21, 2016, The Fabric Workshop and Museum (FWM) premieres Ally, an exhibition of art and dance conceived and performed by artist Janine Antoni in collaboration with choreographer Stephen Petronio and movement artist Anna Halprin. It's where your interests connect you with your people. Tightrope acts are anxious spectacles. 600 lb block of chocolate: partitioned heart-shaped boxes. University of St Andrews Art History Society. Her body is both her tool for making and the source from which her meaning arises. Janine Antoni, Loving Care (perfonnance art), 1992. Check out what’s going on on and around campus this week. of Chocolate and 600 lbs. (Photograph of chocolate painting of appropriated photograph) Louise Lawler, Pollock and Tureen Arranged by Mr and Mrs Burton Tremaine, Connecticut, 1984 Mike Bidlo, Not Pollock ("Pollock" series), 1982-84. In one row, the busts were creamy white, and in the other, waxy brown. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Joseph H. Painting with her hair, carving with her teeth, and shaping with her tongue, she blurs the line between sculpture and performance. Janine Antoni was my biggest inspiration in creating this piece. Wednesday, November 28th, 7 PM UICA Members Free | Non-Members $5 Don’t miss this opportunity to hear contemporary artist Janine Antoni speak at the UICA! The Visual Arts Guild will be attending, if you would like to join/carpool please email ([email protected] For Janine Antoni's 'Lick and Lather', her chocolate and soap sculptures will literally decay over time. I give to you three artworks with chocolate as a primary medium: 1) Janine Antoni’s Lick and Lather. The artist’s portrayal of the body is created directly with her own body in her self-portrait “Gnaw” (1992) (fig. "Antoni’s work blurs the distinction between performance art and sculpture. Search the Libraries' digital collections -- images, media, maps, and more. Janine Antoni (b. I appreciated this for the repurposing of the lard and chocolate, but biting into lard feels viscerally creepy. (We humbly suggest the next one be called "Two Doves. Artist Janine Antoni "carved" chocolate with her teeth and then spit it out. I spoke to Antoni about her unique take on artistic expression. Jenny Saville Closed Contact* (1996). 3) Ed Rusha’s Chocolate Room. Janine Antoni Jcrae Jean Kilbourne Jean Tinguely Jeremy Deller Jethro GIllespie Mast Brothers Chocolate Material World Mathieu St-Pierre Matt Roche Memory Messages. Ghost in the Shell (1995) Ghost in the Shell is a Japanese media franchise originally published as a seine (‘youth’) manga series of the same name written and illustrated by Masamune Shirow. Janine Antoni (1964) Janine Antoni uses her hair as a paint brush to paint the gallery floor with Loving Care hair colorant. ” Janine Antoni or Matthew Barney. Press J to jump to the feed. Sculptor Petah Coyne’s Daphne provides a contemporary counterpart to Alfred Maurer’s Woman in a Black Dress and the dense detail of a. Ally: Janine Antoni, Anna Halprin, and Stephen Petronio Navigate Gap between Art and Dance in Major Exhibition at The Fabric Workshop and Museum Philadelphia, PA – On Thursday, April 21, 2016, The Fabric Workshop and Museum (FWM) premieres Ally , an exhibition of art and dance conceived and performed by artist Janine Antoni in collaboration. Well I think you have a pretty good idea of what I am going to say about this piece. Photo: Xandra Ibarra, Nude Laughing, performance at The Broad, Los Angeles, 2016. Janine Antoni is a visual artist who was born in Freeport, Bahamas in 1964. (In her 1992 piece Gnaw, she cast two 600-pound cubes--one of chocolate and one of lard--and ate away at them, spitting out the resulting pieces. Janine Antoni: An Artist I Would Work for. Tumblr is a place to express yourself, discover yourself, and bond over the stuff you love. For Janine Antoni, creative process takes on a psychological disposition. Chocolate Gnaw (1992). Sadly, I couldn't remember the name of the artist after all these years. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. bringing you the inevitable convergence of contemporary art and internet slang. Antoni’s early work transformed materials like chocolate and soap and used everyday activities like bathing, eating, and sleeping as sculptural processes. Janine Antoni, Lick and Lather, 1993. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. 7: Antoni, Janine. by Janine Antoni Installation art, performance art, sculpture. Jane Alexander introduces the film. But thanks to the wonderful service that is the internet, I found her name and some images of those sculptures. Using her body as the primary tool for making her work, Antoni has drawn with her eyelashes, painted with her hair, and sculpted blocks of lard and chocolate with her teeth. Janine Antoni, hermana del escritor y amigo Robert Antoni, ambos originarios de Freeport, Bahamas, ahora residentes en Nueva York. Pieces for Peace Online Exhibition Traveling Exhibition Peace Walls. Because it was crucial for me, my meeting with Janine Antoni and our coexistence at the renovated at that time exhibition space “Nikos Kessanlis” of the Athens School of Fine Arts, during the exhibition “Everything That’s Interesting Is New” (20/1-20/4/1996) with artworks by Dakis Joannou Collection. For example, the soap and chocolate molds were about the process of cleaning oneself with oneself and feeding oneself with oneself, not about the visual elements of the. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. By Matthew Nash on January 13, 2010 Magazine, Reviews. Antoni’s work blurs the distinction between performance art and sculpture. Antoni uses her body as both a tool to sculpt and as the subject of her work. Janine Antoni (1964, Bahamas) works in performance, sculpture, and photography; her focus is often on process, utilizing her body throughout her work. In photoshop I darkened the colors, added gradients, copy, pasted and rotated the photo as well as blended the layers. 651 ART SINCE 1940 Prof. On a bitterly cold day in Brooklyn, artist Janine Antoni is sipping tea in her studio and talking children. In two visceral shows on opposite coasts, Janine Antoni MFA 89 SC has been inviting viewers to investigate their connections to their own bodies. Spirits on the Crossing: Travellers to/from Nowhere-Contemporary Art in Canada 1980-94, Setagaya Art Museum, Tokyo; The National Museum of Modern Art, Kyoto; Hokkaido Museum of Modern Art, Sapporo. Artist: Janine Antoni (American, born Freeport, Bahamas, 1964) Date: 1993-1994. Antoni Rhyming, similar names and popularity. The Master of Fine Arts (MFA) in Creative Writing & Poetics at the University of Washington Bothell (UW Bothell) is dedicated to helping each student develop their creative work through a course of study that encourages exploration and discovery. Focusing on the process, as well as, the finished product Antoni’s work often emphasizes different parts of the body and how they can be used as tools to create her art. figure 3a Janine Antoni “Gnaw” 1992 chocolate, lard, pigment, beeswax By the 1990s figural art took a more experiential direction for the viewer with the work of Janine Antoni. Typically, the physical object remains as evidence or residue of the performative act of making, as in Gnaw (1992), Lick and Lather (1993), Eureka. The lecture is set for April 4 at 7 p. Janine Antoni combines both sculpture and performance and as such continues a long tradition that includes the Dadaists e. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. She transforms everyday activities such as eating, bathing and sleeping into art. Since the 1990s, Janine Antoni has played a prolific role in performance and installation art. Janine Antoni. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. Thanks for joining us on "Horizon. Janine Antoni uses her body to create the majority of her artwork. Antoni’s method of using herself as a direct model for the mould was applied to the procedure of creating the masks, and Kiki Smith’s use of modroc in “Stories” incited the exploration of this material in my practice. Lick and lather. CAH 1090 - Fall 2016 - Artist Essay Catalogue. Janine Antoni made her sculpture Gnaw out of : a- white and dark chocolate. She received a BA from Sarah Lawrence College and an MFA from the Rhode Island School of Design. Janine Antoni, who was born in Freeport, Bahamas, creates sculptures and installations that use intimate, labor-intensive processes that leave the history of her body’s interaction on materials such as chocolate, lard, soap, hair dye, limestone, cow hide, and raw hemp. The process may be undergone with hand tools such as gouges and mallets or with power tools such as angle grinders, die grinders and Dremel tools. Janine antoni chocolate sculpture price, the late artists turned to record heart of chocolate and sleeping in filter by antoni is as concrete statue moulds sculpture is currently on a installation for her lecture at luhring augustine no friend of the artist undertook the chocolate and white chocolate bust of chocolate busts. TUESDAY 3RD – SUNDAY 8TH, 12:00 PM – 6:00 PM. SITE SANTA FE. Janine Antoni’s Gnaw – Two large cubes, one made out of chocolate, the other lard, refer to minimalism with the use of simple three demensional geometric forms. Reverse relationship between drinker and. In her Raid the Icebox Now installation, Simone Leigh places modern and contemporary works by Janine Antoni, Huma Bhabha, David Hammons, and Nancy Elizabeth Prophet in the RISD Museum’s ancient Greek, Roman, and Egyptian galleries. Antoni then spent time eroding the forms by licking the chocolate and lathering in the bath with the soap. Janine Antoni was my biggest inspiration in creating this piece. There are no 600-pound blocks of intensely chewed-upon chocolate, or masticated chunks of lard oozing over a slightly raised platform, nor are there expressionistic swaths of hair care products on the gallery floor. Seven were cast in chocolate, which she then licked. She has chiseled cubes of lard and chocolate with her own teeth. 150 lipsticks made with pigment, beeswax, and chewed lard removed from the lard cube, and 45 heart-shaped packages made from the chewed chocolate removed from the chocolate cube. Antoni made the molds “directly” from her “body. Explora la feminidad y sus elementos simbólicos. Janine Antoni (born January 19, 1964, in Freeport, Bahamas) is a contemporary artist,who creates work in performance art, sculpture, and photography. " Janine Antoni: It's great to be here. Artists featured in this episode: Xandra Ibarra, Cassils, and Janine Antoni. The 10 shortlisted artists have come to the city from all over the world to exhibit their creations at the National Museum and Galleries of Wales in competition for the pounds 40,000 Artes Mundi prize. Antoni “re-sculpted” Minimalist cubes of lard and chocolate by chewing and spitting out their corners. Janine antoni chocolate sculpture price, the late artists turned to record heart of chocolate and sleeping in filter by antoni is as concrete statue moulds sculpture is currently on a installation for her lecture at luhring augustine no friend of the artist undertook the chocolate and white chocolate bust of chocolate busts. com/wp-content/uploads/2011/08/POP-Magazine_AW2011_MARINA_ABRAMOVIC_RENE_HABERMACHER. So it’s appropriate that Janine Antoni, a virtuoso of public displays of anxiety, learned to walk the high wire for a video commissioned by SITE Santa Fe for her career survey, “taught tether teeter. Janine Antoni, Anna Halprin, and Stephen Petronio Navigate Gap between Art and Dance in Major Exhibition at The Fabric Workshop and Museum Janine Antoni in collaboration with Anna Halprin, Paper Dance, 2013. For example, the soap and chocolate molds were about the process of cleaning oneself with oneself and feeding oneself with oneself, not about the visual elements of the work. Tightrope acts are anxious spectacles. Antoni used a mold to create a series of self-portrait busts, half from chocolate and half from soap, fragile materials that tend to age quickly. “But not everybody likes their chocolate and vanilla swirled together. Janine Antoni was born in Freeport, Bahamas in 1964. Lick and lather. The history of self-portraits is long and varied. Janine Antoni is an artist who combines sculpture and conceptual art to examine cultural preconceptions of social codes, identity, and gender roles. Antoni did one sculpture project in 1993 called “Lick and Lather. The second category includes works that appear unfinished—open-ended, unresolved, imperfect—at the volition of the artist, such as Janine Antoni’s Lick and Lather (1993–1994). Janine Antoni. In Lick & Lather, 1993, she uses her body to sculpt self-portraits in chocolate and soap, classical yet imperfect busts that reveal the residue of her process. identical busts of herself, half of them chocolate, half soap. Janine Antoni’s work spans – performance, photography and sculpture. Your Body Extension can be functional or its appearance can imply function but it must be designed to either attach to the body, or serve as a remote prosthesis. International contemporary as well as late 19th century painting, drawing, sculpture, installation, photography, and video works. Janine!Antoni!. Fat and self-image, culturally imposed ideals of female beauty. Over the past thirty-seven years we have conserved or restored many modern and contemporary sculptures for private collectors, galleries and museums. of object, man, nature, etc. SELECTED SOLO EXHIBITIONS 2006 “Lore and Other Convergences,” (performance with Melissa Martin), Live Art Development Agency initiative, inIVA, London. Her brother Robert Antoni is better known in the world of Caribbean writing. Janine Antoni Portrait busts of the arEst molded with chocolate and soap Features erased by process of licking and washing Janine Antoni, Lick and Lather, 1993 Brooklyn Museum 30. She was at ASU this week to deliver a lecture on contemporary art and visual culture. She uses her body as the tool for her pieces, creating her sculptures using materials such as chocolate and soap. , 1999 Dimensions variable). The waste material of Antoni’s Gnaw series was sculpted into another series of works, Lick and Lather, two female busts which could be seen. She received a BA from Sarah Lawrence College and an MFA from the Rhode Island School of Design. luhringaugustine. Antoni received a Bachelor of Arts degree in 1986 from Sarah Lawrence College in Bronxville, NY. Each cube was originally 600lbs, but she whittled down each block "using her mouth as a tool". Janine Antoni A woman has been here. Janine Antoni’s work is comfortably cemented in contemporary art history. Busts made of chocolate and soap. By Matthew Nash on January 13, 2010 Magazine, Reviews. 2 cm) high, dimensions variable. of chocolate and 600 lbs of lard gnawed by the artist 45 heart-shaped packages for chocolate made from chewed chocolate removed from the chocolate cube and 400 lipsticks made with pigment, beeswax and chewed lard removed from the lard cube. Janine Antoni’s Lick and Lather saw the artist sculpting several busts of herself out of chocolate and soap. Artists featured in this episode: Xandra Ibarra, Cassils, and Janine Antoni. Janine Antoni. All rights reserved. Substitution for love and affection. Janine Antoni’s body art offers us several points of entry into the works of Sissi Westerberg. Hirshhorn Bequest Fund, 2001. Clarksville, TN – The Austin Peay State University Department of Art and Design, with support from the APSU Center of Excellence for the Creative Arts, will host a lecture by internationally …. Documentation of her 1993 performance Loving Care—in which she mopped a gallery floor with her dye-soaked hair—is a. Janine Antoni is a visual artist who was born in Freeport, Bahamas in 1964. Like any negotiation with history, the understanding of her performance, in which she dipped her long hair in black dye and set about mopping the floor, has been complicated by its initial reception. Antoni’s work blurs the distinction between performance art and sculpture. But do we ever associate it with the farmers – and often children – who literally make the product possible? West Africa produces almost three quarters of the world’s cocoa, 70% of which is consumed in Europe and North America. Body as a tool used to obtained knowledge Painting with hair- body as a tool Picture of artist in tub with cow. Es de 1992 y podeis ver su trailer AQUÍ. Her main tool that she uses is her own body. Janine Antoni Date created 1993-1994 Classification sculpture Medium two self-portrait busts: one chocolate and one soap Dimensions 24 in. The Master of Fine Arts (MFA) in Creative Writing & Poetics at the University of Washington Bothell (UW Bothell) is dedicated to helping each student develop their creative work through a course of study that encourages exploration and discovery. Lick and Lather by Janine Antoni - These two busts are from an exhibit by feminist artist Janine Antoni commenting on the societal expectations for women. Visual Texture – The depiction of an object to give the illusion of physical texture. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two Minimalist-looking cubes—one made of 600 pounds of lard and the other of chocolate. For example, in her work Gnaw (1992) Antoni uses her mouth and the activity of eating or chewing to carve two 600 lb. Bildende Kunstler im TAT, phase 1, Theater Am Turm, Frankfurt. Open Thu–Mon 11am–6pm. 24” x 24” x 24” (61 cm x 61 cm x 61 cm). Installation view and details Three part installation. Press question mark to learn the rest of the keyboard shortcuts. In a work called Lick and Lathershe made busts of her portrait in choco-late and soap, and then videotaped her washing the soap figure and lick-ing the chocolate bust. Es de 1992 y podeis ver su trailer AQUÍ. MEET THE ARTIST: JANINE ANTONI Wednesday, February 11, 2015 7 pm | Ring Auditorium Janine Antoni creates powerful works through intimate and idiosyncratic means. Hirshhorn Bequest Fund, 2001. This process is also necessary for transforming a model made in a non-permenant material such as oil clay, into a permanent or more desirable material such as polyurethane resin, fiberglass, Aqua-Resin, concrete, Hydrocal plaster, glass, or metal. This Janine Antoni In "selves And Others" At The San Francisco - Janine Antoni Lick And Lather 1993 Chocolate is high quality PNG picture material, which can be used for your creative projects or simply as a decoration for your design & website content. Janine Antoni b. Referencing some of the background information you’ve learned about one of these artists (or from further research you do; click the bold links), reflect on how the artist represents or expresses the concept of identity in one of these specific works: Lick and Lather (cast chocolate and soap) by Janine Antoni 1993, a recent self portrait by Chuck Close (see him on the Colbert Report here. If I had to choose just one artist from last week’s video to further focus on, I believe I would choose Janine Antoni. Read more. Janine Antoni uses lard, lipstick and chocolate to reference the body. In her two pieces titled "Lick" and "Lather" she essentially deconstructs sculptures she made of her self by using her own body. The chocolate busts have lost their sensuality, as I fixate on the invisible layer of disgusting saliva that coats. The goal of licking and washing. ‘Sekula’s work stood out against the predominance of identity-political practices elsewhere in the show; from Janine Antoni’s chocolate-and-lard sculptural trilogy Gnaw 1992 (Museum of Modern Art, New York), to the varied skin tones of an early instantiation of Byron Kim’s cumulative grid of monochrome paintings, Synechdoche 1991–2. Thus Antoni has a compelling, almost passionate, affair with the matter of her art. Lick and Lather (1993) by Janine Antoni. Antoni’s primary tool for making sculpture is her own body. Conceptually, Janine Antoni’s Lick and Lather seems a natural continuation of Rodin’s incomplete sculptures, whose human forms emanate from rough-hewn marble, and the “melting” surfaces of Medardo Rosso’s impressionistic portraits. click image. An artist we don’t think enough about or include in discussions about Caribbean art is Janine Antoni. “Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-’80s artworld ambition…By setting up situations that force her lithe body into contact with malleable materials and spaces, she establishes tongue, eyelashes, and hair as evocative replacements for chisels, pencils, and brushes. Press question mark to learn the rest of the keyboard shortcuts. of lard Gordon Matta-Clark Unknown Gordon Matta-Clark Unknown Tara Donovan Untitled, 2001. Janine Antoni introduces student artists to working with unconventional materials: chocolate, soap, cow's milk. Janine Antoni 1993, 7 chocolate and 7 soap self-portrait busts. Janine Antoni está considerada como una de las «chicas malas» del arte del siglo XXI. 28, gathers the work of 18 artists, among them, Roy Lichtenstein and Andy Warhol and such current names as Janine Antoni. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. ” She sculpted fourteen self-portrait busts out of chocolate and soap. I spoke to Antoni about her unique take on artistic expression. Glamorous Janine Gray flew into London today from Hollywood to star in Thames Television's popular series 'Sexton Blake'' which will start again this Autumn. Vik Muniz, Action Photo, after Hans Namuth from Pictures of Chocolate, 1997. If I had to choose just one artist from last week’s video to further focus on, I believe I would choose Janine Antoni. Marina Abrabmovic's Chocolate Lips (made for a dinner party from a mold of her mouth to celebrate the end of her MOMA exhibition in June 2010). ” Using a “product called alginate,” a. Janine Antoni Chocolate Gnaw(600 lb. Antoni’s work blurs the distinction between performance art and sculpture. bringing you the inevitable convergence of contemporary art and internet slang. Gnaw, 1992 600 lbs. Janine Antoni is a contemporary American artist known for her performances and sculptural installations. She has chiseled cubes of lard and chocolate with her teeth, and washed away the faces of soap busts made in her own likeness. Janine Antoni represents her identity in her piece “Lick and Lather” in several different ways. " We were shown works by the following artists for inspiration: Nick Cave, Janine Antoni, Caroline Broadhead, Rebecca Horn, Franz West, Erwin Wurm. Introduction. ” Using a “product called alginate,” a. In these early performances, Antoni made physical traces on malleable materials like chocolate, lard, and soap with everyday movements—gnawing, mopping, licking, weaving, and winking. docx from ARTS 1301 at Richland Community College. Caroline A. Es de 1992 y podeis ver su trailer AQUÍ. More on this power dynamic later on. Laminated pine and mirrors, 213,4 x 121,9 x 27,9 cm. In-text: (BOMB Magazine — Janine Antoni by Stuart Horodner, 2015) Your Bibliography: Bombmagazine. They’re self-portraits of the artist Janine Antoni. In a work called Lick and Lathershe made busts of her portrait in choco-late and soap, and then videotaped her washing the soap figure and lick-ing the chocolate bust. Installation shot. In the work, she chewed 600-pound cubes of chocolate, then the same quantity of lard, until she was too exhausted to continue. Janine Antoni I connected with Janine Antoni’s “Moor” the most out of all of her installations in the video. Janine Antoni. " Janine Antoni: It's great to be here. Artisti: Janine Antoni. Artist Janine Antoni's "Lick and Lather" sculpture features a chocolate bust of the artist (as well as one of soap); photo courtesy Flickr user KellyTheDeluded. ” She “even. Then she licked the chocolate bust down until its features became indistinct, and took the soap bust into the shower with her, letting water slowly erode its features. Another 1992 work by Janine Antoni (b. “Lick and Lather” by Janine Antoni (American, b 1964), 1993–1994, chocolate and soap; Head I 24 by 13 inches; Head II 16 by 13 inches; base 45 by 13 inches. One of my portfolio entries described Janine Antoni’s 14 chocolate heads at the New Exhibitions Museum in New York. admonishing audience members, privately, one at a time, to “feed” her. Janine Antoni It was recommended that I investigate the work of Janine Antoni, an artist who works photographically as well as with performative sculpture. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. Janine Antoni, hermana del escritor y amigo Robert Antoni, ambos originarios de Freeport, Bahamas, ahora residentes en Nueva York. 6 cm (45 7/8 x 16 x 16 inches) Installation dimensions: variable Edition 1/1. The show is financed, says the Observer, by the Swiss chocolatiers Nestle, Chocosuisse. Janine Antoni (1964) Janine Antoni uses her hair as a paint brush to paint the gallery floor with Loving Care hair colorant. However, if one held a silhouette of Antoni’s face next to each statue, a discrepancy would quickly reveal itself. (Photograph of chocolate painting of appropriated photograph) Louise Lawler, Pollock and Tureen Arranged by Mr and Mrs Burton Tremaine, Connecticut, 1984 Mike Bidlo, Not Pollock ("Pollock" series), 1982-84. For Janine Antoni, the body is a tool with which to create art.
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